Showing posts with label first draft. Show all posts
Showing posts with label first draft. Show all posts

Monday, March 17, 2008

Holy Ms. Potato Head!!



Yes! Yes! Yes! I'm proud AND REALLY relieved to report that the first draft of the second I So Don't Do book is done, done, done! And my revisions are coming along nicely too. Tonight I celebrate with warm sake and a rainbow roll.

Trivia: Did you know that "saki" (not "sake") is a South American monkey with a brown-to-black shaggy coat and a bushy tail. Who, by the way, will not be invited for sake tonight.

I think putting up the spud has made me giddy!

So, if I'm somewhat MIA, please understand it's because I have to rewrite/polish and get this baby to the editor.

And onto proud parent news:

Huge congratulations to Child #3 who won FIRST place in FIVE events at this weekend's swim meet!!!!! (The number of exclamation points is no accident.) What about the sixth event, you ask? He was disqualified by an overzealous official. Okay. Fine. The truth: Child #3's turn on the backstroke MIGHT have justified the DQ. And, I was only MOMENTARILY tempted to push Mr. Official into the pool.

I'd also like to mention how delightful it is to see Child #3 flying off the block, with that familiar look of determination on his face and know that it's not directed at, say, his little sister.

Random thought: It may have been a mistake to teach Child #4 my cell phone number. You cannot even imagine how many calls I'm getting when writing at the coffee shop. And I can't bring myself to not answer...

In other big news, we have a new book launch over at the Class of 2k8's blog. Elizabeth Bunce's debut Young Adult novel, A Curse Dark as Gold, is now available in stores. If you have a sec, click on over and congratulate her.

Friday, May 18, 2007

Criminal Opportunities: Dramatic License by Kathy Krevat

Criminal Opportunities:
Dramatic License



By Kathy Krevat 



All the world’s a stage. And readers are fascinated by what happens behind the velvet curtain of the theater.

Researching children’s theater for my work-in-progress Stage Moms Are Murder was easy. With two teenage girls in many productions over the last few years, I had plenty of hands-on experience. I questioned professionals who have worked in children’s theater for many years, along with volunteer parents who dedicate lots of time and money to making sure the show goes on.
Being a mystery writer, I couldn’t help but wonder what would happen if any of the important players―the director, manager, fundraiser, board members, tech people―were targeted for murder. To tell the truth, it was difficult to find strong enough motivation for murder in a children’s theater group regardless of what people say about stage moms.
But adult theater seemed rife with possibilities. In my research, I learned that while fame and fortune is the goal for many actors, and the threat of losing it creates a strong motive for murder, plenty of people are in the business for other reasons―love of the art form, self-glorification, power, control over others, an exciting lifestyle―and the opportunities for criminal behavior abound.

Finding Focus

Research
The concept of theater is huge, giving authors a lot of rich material. Theater has existed since the dawn of man, from storytelling around the campfire through the passion plays of ancient Egypt, the theater of the ancient Greeks (who formalized theater as an art form), the theater of ancient China and India, the early Christian theater in Europe, the folk theater of minstrels, fairs, and festivals, Renaissance theater, Shakespeare, French classicism, Italian opera, the circus, avant-garde theater, puppet theater, today’s Broadway, and so much more. Many of these periods have been the setting of mysteries, such as Simon Hawke’s series about a young William Shakespeare and Edward Marston’s Elizabethan Theater Mysteries.
Contemporary theater is integral to every culture throughout the world and encompasses everything from a one-man show in a church attic to a multimillion-dollar production in New York or London. Every city has a rich history of theater, ready to be drawn on as the base for a mystery with a little research in the right places, including local libraries, historical societies, and newspapers.
Plays have been written that expose just about every imaginable human condition, and the play a writer chooses to be the centerpiece of the mystery is the most important decision. Famous or unknown, or even fictional, plays can be exploited by the writer to emphasize the main theme, provide important clues about characters, and illustrate the message the writer wants to get across.


(Reprinted with permission from First Draft, a publication of the Guppies, Sisters in Crime)